Look what they've done to this place.

Paranoid parrot is my spirit animal. I am ela. A failure at life.

Absurdity, glitter, gold and other things that I like. Who am I kidding? This is mostly an instagram cache of my personal photos now. Unfollow me and turn away from this place while you still can! :P
fayren:

I’m obsessed.
It pains me that I won’t be able to paint this for several days.

fayren:

I’m obsessed.

It pains me that I won’t be able to paint this for several days.

061413 ♥ 762
johnleedraws:

I can’t stop drawing feral kids and it’s getting weird.
I actually don’t have any kind of idea for these when I start— just kind of lay down some shapes and start pulling things out. I started doing them as a reaction against using my heavy use of reference that was killing (what I perceived) the spontaneity and fun of drawing in most of my illustration work.
Even though my work isn’t really super photo-ref’d to begin with. I dunno. 

johnleedraws:

I can’t stop drawing feral kids and it’s getting weird.

I actually don’t have any kind of idea for these when I start— just kind of lay down some shapes and start pulling things out. I started doing them as a reaction against using my heavy use of reference that was killing (what I perceived) the spontaneity and fun of drawing in most of my illustration work.

Even though my work isn’t really super photo-ref’d to begin with. I dunno. 

061113 ♥ 54

johnleedraws:

Hi Amelia!

The answer is: it depends. I am a big advocate of using ref to help your illustrations be more specific (and not just in terms of how things appear, but with research as well), but I am also very cautious about letting one’s ref dictate the image. It’s easy to simply “copy” reference, which depending on the source could possibly be plagiarism, but more often than not leads to deadened illustrations that don’t execute your compositions as well as they could have.

So yes, I’ll do a quick little photoshoot (most of the time just using Photobooth in OSX) to get a pose, or hands or something down, and yes, I’ll stockpile relevant images when I’m working on projects, but only AFTER the thumbnailing stage, and my composition is kind of locked in. 

Increasingly, I’ve started to just draw without any planning or reference as a way to bring back some immediacy into my drawing, outside of my usual illustration process. I think good drawings should have elements of both control and spontaneity, so it’s important to practice both. 

In general: the more realistically rendered your work is, the more reference you need. In my classes, I talk about Laplace’s Demon: the theoretical omnipotent creature who could supposedly know all of the information in the universe, and therefore see into the future. Modern physics tells us that this is impossible; there is literally not enough computational power in the universe to know the positioning of everything. Same goes with rendering and light: you cannot possibly know exactly how light will interact with all the different elements in a scene without help.

I could go on for days about using reference. But in the meantime, check out (of course) Gurney Journey, the Muddy Colors blog, and how Norman Rockwell would exaggerate his photo ref. 

061113 ♥ 28
gerwell:

This blog started with DBZ. It’s only normal to see it return from times to times. <3
Moar Tegacrap

gerwell:

This blog started with DBZ. It’s only normal to see it return from times to times. <3

Moar Tegacrap

061113 ♥ 180
yoyonaki:

King is my favorite character (Ban too…)

yoyonaki:

King is my favorite character (Ban too…)

061013 ♥ 96
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